Majlis House

Guide to Handwoven Rugs

Structure. Material. Origin. Meaning.

Hand-knotted rugs are not decorative objects first — they are engineered textiles. Understanding them requires looking at structure before pattern.


Structure & Construction

Hand-Knotted

Each knot is tied individually around foundation threads. No glue or applied backing is used. Durability comes from tension and interlocking fibers.

Warp & Weft

  • Warp: vertical foundation threads running lengthwise on the loom.
  • Weft: horizontal threads woven between rows of knots to secure them.

These two elements form the internal architecture of the rug.

Pile

The visible surface created by cut knot ends. Wool, silk, or a blend.

Knot Types

  • Turkish (Ghiordes) Knot — symmetrical; common in Anatolia and the Caucasus.
  • Persian (Senneh) Knot — asymmetrical; common in Central and West Asian workshops.

Knot Density

Measured in knots per square inch (KPSI) or per square meter. Higher density allows finer detail — but wool quality and drawing matter just as much. Some rugs are intentionally weft at lower densities for their use cases.

Fringe

Not just a decoration — these are exposed warp threads. If glued on, the rug is not hand-knotted.

Selvage

Reinforced side edge that prevents unraveling.


Materials

Wool

The standard for durability. Resilient, naturally stain-resistant, and capable of aging with patina.

Highland wools (such as Ghazni wool) are prized for strength, elasticity, and natural lanolin content.

Silk

Finer fiber with high sheen. Used for detail or entire pile in high-end rugs. Less forgiving under heavy traffic.

Cotton Foundation

Used for warp and weft in many Persian and Indo-Persian rugs for structural precision.

Natural Dyes

Derived from plants and insects — madder (red), indigo (blue), pomegranate (yellow). They age with complexity rather than fading flat.

Abrash

Subtle color variation within a field caused by hand-dye batches. A sign of artisanal production.


Design Language

Medallion

Central focal motif.

Allover Design

Repeating pattern without a dominant center.

Border System

Main border framed by guard stripes — creates visual containment.

Mihrab

Prayer niche motif referencing mosque architecture.

Boteh

Curved teardrop motif — ancestor of paisley.

Tree of Life

Symbolic motif referencing continuity, immortality, or spiritual ascent.


Categories of Origin

These are structural traditions, not marketing labels.

Tribal

Woven by nomadic or village groups. Geometric, symbolic, often bold.

Workshop

Produced in established weaving centers with formal drawing systems. More refined curvature and floral work.

Anatolian (Oushak, etc.)

Large-scale patterns, luminous wool, historical export tradition.

Persian (Tabriz, Heriz, Kerman, etc.)

Technically diverse weaving centers known for drawing precision and dye depth.

Caucasian

High-contrast geometry and strong primary palettes.


Age Classification

  • Antique — 100+ years
  • Vintage — 20–99 years
  • Contemporary — Modern production

Age alone does not determine value. Condition, wool quality, and structural integrity matter more.


What It Is Not

Tufted

Pile punched into canvas and secured with glue. Faster production, shorter lifespan. Our full size rugs will never be of this construction.

Machine-Made

Power-loomed. Often uses synthetic backing and heat-set fibers. Our full size rugs will never be of this construction.